Writing is an alone experience.
I don't say lonely because, I suppose, some people might be built best for time alone and might never feel a moment of loneliness.
That said, there's no denying that it's a solitary, isolating pursuit.
Novel writing, particularly, tends to isolate. So long between inception and any kind of feedback.
The novel has always been the holy grail to me. Being a writer meant being a novelist.
But in the last couple years, thanks to a friend's influence, I've occasionally written short stories targeted at contests.
The discipline of trying to tell a compelling story in a confined space, and to do it on a deadline, has been very good for me.
I have, for a long time, thought I could write, that I had a decent facility with words on paper. What I lacked was the ability to tell a compelling story (a far more important skill). Chasing the short story contests has helped with that.
The contests have also helped with the isolation. In a relatively short span, you can conceive a story--often based on a promt--complete it, and get some kind of feedback . . . even if it's only that you didn't place.
And, occasionally, you just might perform well enough to get happy feedback. This, too, is a cure for the isolation. And it is wonderful fuel for the long, silent road to a finished novel.
Try it and see if it doesn't make your writing better and make you a happier writer.
In service of this little tid-bit of advice, I'll be posting links to contests now and again.
An unknown novelist attempting to grow into a little-known novelist. I offer--free of charge--writing tips, anecdotes, short fiction, and assorted ramblings (with photographs and other random tid-bits thrown in for good measure)
Showing posts with label writing markets. Show all posts
Showing posts with label writing markets. Show all posts
Wednesday, January 13, 2010
Monday, June 18, 2007
Writing Contests
I've made attempts at four different flash fiction writing contests* in the last couple months. The process has been fun and extremely challenging.
Two of the contests had a word limit of 500, which seems a comfortable fit, but one, The Pearl, had a 250 word limit. I made two attempts at the problem (writing two completely different stories) and failed miserably, even after re-writing one of them multiple times. 250 words is a painfully constricting barrier. Despite the fact that I've read published stories of that length that worked (and a writer friend of mine wrote a very fine horror story for the same contest), I'm going to make an official announcement here... It's impossible to tell a good story in 250 words. It has to be impossible, 'cause I can't effing do it.
More about the mechanics of the flash fiction contest world in the next entry...
*Writer's Weekly, Reading Writers, Tattoo Highway, The Pearl
Two of the contests had a word limit of 500, which seems a comfortable fit, but one, The Pearl, had a 250 word limit. I made two attempts at the problem (writing two completely different stories) and failed miserably, even after re-writing one of them multiple times. 250 words is a painfully constricting barrier. Despite the fact that I've read published stories of that length that worked (and a writer friend of mine wrote a very fine horror story for the same contest), I'm going to make an official announcement here... It's impossible to tell a good story in 250 words. It has to be impossible, 'cause I can't effing do it.
More about the mechanics of the flash fiction contest world in the next entry...
*Writer's Weekly, Reading Writers, Tattoo Highway, The Pearl
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