I've had the feeling (and some feedback) that the main character in my novel is too damned wimpy. She's meant to be afraid of the world in some important respects--at least to open the story--but she can't project as a hopeless, boring wimp.
As I studied the first two scenes, I had a minor brainstorm and just did a little riffing, re-crafting the end of one of them, modifying the tone of the star to, I think, a meaningful degree.
Unfortunately, assuming I believe this tone change improves things, I've got to rework nearly every scene in which my star has anything to say. Some of the reworking will be trivial, some of it painful. But so far I believe the change is for the better, and that makes me very happy.
So my brainstorm was, at once, an 'aha!' and an 'ah, sh**!' moment. I'll let you know how my editorial readers and I take to the change.
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Here's the description I used for Kindle and Nook: * * * Hannah Sullivan is not looking to have her beliefs challenged. She is no... -
After having a very tough year--with some breathtakingly glorious stuff thrown in--I'm coming back to the writing game with, I hope, a v...
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